VeneziaJanuary 8, 2016
Navigating VeniceJanuary 28, 2016
As part of my residency at the Scuola, I am honored with a solo show in their gallery. I thought it would be towards the end of my residency, but I discovered five days after arrived, that it needed to happen, well, right away, to open today January 20th, with the install on the 18th. (I arrived on January 7…I’ll let you do the math.)
Thankfully I brought with me a few prints, an artist book, and an idea/vision. And then the past week I’ve been in the studio all day making little red “balls”, setting and printing type, stitching and constructing. And I finished last night! Here’s the statement:
Waxing My Third Eye presents experiments on paper and artist books involving pressure printing, painting and stitching on paper, and handset letterpress type by American artist Melanie Mowinski. In meditation, the third eye becomes the focus point between the two actual eyes. There are some people who believe that the third eye is a partially dormant pineal gland between the two hemispheres of the brain. Others look at it as the place of connection with the actual pineal gland that resides near the center of the brain tucked in a groove where the two halves of the thalamus join. Regardless, when focusing on this point during meditation one can access what Descartes believed to be “the principal seat of the soul and place in which all our thoughts are formed.” Attention to this inner eye allows the meditator to connect to one’s internal and external world as witness with an eye to acceptance of the impermanence of life. The work in this exhibit evolved from explorations of using this focus point to alleviate pain and anxiety that Mowinski experienced as she muddled through a year of surgeries due to breast cancer. (If this is new to you, click on this link for a wee bit of back story.
My vision of the exhibit is that you start with I am Brave, which I began making to help prepare me for the mastectomy. Then you move through the red yarn and little red dots, which are often part of my work, and symbolize struggle, loss, and calm through meditation. As Kiki Smith says “I think there’s a spiritual power in repetition, a devotional quality, like saying rosaries.”
This transitions abruptly to a different color palette, into the first work I created after the mastectomy while at Wells this summer. And finally, a new book made just this week which represents that it’s time to move forward.
In gathering all of this together, sitting with it for the past two weeks, I feel like I can let it go and move forward. This will always be part of me, but will not define me.
In retrospect, the pressure became a gift. It forced me to make the work I’ve been struggling to make for the past six months and reminded me of Parkinson’s Law: work expands so as to fill the time available for its completion. I’m certain that had I not had this deadline thrown upon me, the work would have stretched over my entire time here in Venice. Now the exhibit is done, and I can get on with other ideas that are bubbling!
Big thank you to those who helped make this exhibit possible:
- Matilda and Lorenzo at Scuola for inviting me to come for a residency for six-weeks.
- Hyemi, Scuola resident coordinator for her help installing, and her vision. This young women made compositional connections with some of the smaller pieces as she installed it resulting in links I couldn’t see because I was so steeped in the making.
- Deirdre Kelly, Scuola exhibition coordinator for her help installing and the insight for layout.
- Nina Molin, who came up with the title during an hysterical conversation about hair removal a couple of weeks after the mastectomy
- Doctor Lockhart, for pushing me to sort through the remaining emotional, spiritual and psychological residue from losing a breast.
- And always, to Douglas Molin, who lights my life daily, whether we are near or far from each other. I am so grateful for your support and unending belief in and love for me.