Lessons of VeniceMarch 12, 2016
Paper Words for Nebraska City’s Arbor DayApril 28, 2016
My time in Venice was ridiculously generative. I embodied the cliche inspiration flowing through me like a turned-on faucet towards the end of my stay. A faucet that has continued to stream ideas and projects faster than I can keep up. My ideas often found themselves in the form of a book structure. My intentions for Venice included copious amounts of letterpress printing, but for some reason my practice continued to steer clear of that medium. Instead I played with the materials that I love: painted papers, gesso, collage-like practices, text and the transformation of prints/papers discarded by others.
Parallel Pathways reveals my discovery that there was often more than one way to get somewhere, if you were willing to be present to being lost and unattached to time. Parallel to this discovery, I noticed that somewhere in the past centuries, the Madonna has become unnoticed, a piece of art history for many and a point of prayer for few. This juxtaposition between time, journey, art history and prayer captivated my attention through the form of this storage book holding elements of the journey of Venice.
I am continually grateful to the Scuola Internazionale di Grafica for inviting me to come to Venice, as well as to the Massachusetts Cultural Council whose Northern Berkshire County branch honored me with this year’s Individual Artist Grant which helped fund the trip. I am also grateful to MCLA for awarding me my sabbatical as well as a small professional development that also contributed to the funding of the trip.